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Chapter 8 of "Devil's Bass" reveals: āNo one ends up here by accident.āI let out a breath.āShe didnāt seem surprised to... Keep reading!
āNo one ends up here by accident.āI let out a breath.āShe didnāt seem surprised to see me.ā
āShe walked in on her own,ā he provides me more information than he probably should, the words calm, certain.āNo one comes into Gild who doesnāt already understand what theyāre stepping into.ā
āSo, she chose this.āThat conclusion lands differently than I expect it to.It doesnāt align with what I remember.
āYes.āHis response is simple, but one hundred percent certain.The silence that follows carries more weight than anything else thatās been said.When he does speak, itās with a warning I know I should heed.āSheās not someone you shape to fit into what you want, Hayden.ā
My attention shifts back to him.āI donāt shape anyone.ā
A pause.Measured.āDonāt you?ā
I donāt answer.Because that isnāt the point.The point is whether or not she still fits anywhere in the space I thought I understood.And for the first time since I saw her thereās no clean answer waiting for me.
Chapter Five
Hayden
Itās Been Awhile
Staind
Sunday is quiet.I drive out of the city with no destination in mind.I head west, and ultimately end up at Starved Rock Park, about two hours away.I havenāt been here since I was a kid.I tend not to think about that time in my life very often as the memories cause more pain than not, but this place actually holds one of the very few good ones.
I inhale deeply when I step out of my car.The fall air smells so different here away from the city.The leaves are bright yellows and oranges, decorating the forest in a way only Godās brush can.Iām in shorts and a t-shirt, the temperature still warm during the daytime, so Iām comfortable as I make my way to the trails that lead to the different canyons.
I head to the trail that will take me to French Canyon.Although Iām by myself, Iām hardly alone.The trail is littered with other hikers traveling solo like me, but also in pairs and families, enjoying the golden days of fall while they last.
This particular canyon isnāt a far hike and after more stairs than I care to have climbed, and crossing over a small stream, I find myself in the narrow valley between two steep walls of rock, a thin waterfall streaming between them.I close my eyes as I recall the sweet sound of her gasp of delight and laughter when she saw the waterfall for the first time.The squeal she made as she wiggled her fingers in the cold water.
She was only six.I didnāt know then that she wouldnāt turn seven.That it would be one of the last days I spent with her.One of the last times I got to witness unbridled joy.And as much as I treasure the memory, it also hurts.I stay another thirty minutes, running my hand along the rock face of the wall, wiggling my fingers in the water, absorbing the energy this place holds before I head back to my car.
The week settles back into rhythm.Not perfectly, but close enough that I donāt question it.The studio feels different.The vibe feels cleaner.Mikeyās playing tighter, the edges that were slipping the last few weeks have been pulled back into something controlled.
He told Quinn what he wanted and it appears he got it.She grounds him, keeps him anchored in a way he needed to soften his noise.It works.For him.For me, the noise hasnāt gone anywhere.I tried to put it in a box, pretend I could compartmentalize it, but all Iāve done is redirect it.I donāt go back to Gild.Not yet anyway.Thereās no need.I already have what I need to start.
It begins without intention.At least, thatās what I tell myself.The first time, Iām driving past and pretend itās a coincidence.A wrong turn.Traffic that shifts the route and puts me on her street instead of the one I usually take.I donāt slow down though.I donāt stop.I just take note.
The second time, I know exactly where Iām going.What Iām doing.Her building blends into the rest of the block in a way that feels deliberate.Older brick with character and charm.The kind of place that doesnāt need to announce itself to have value.Secure entry with keypad access and minimal exposure from the street.
She leaves at the same time every morning.On Tuesday, she leaves her apartment just before six p.m., a yoga mat tucked under her arm.Her long red hair is piled on top of her head in a messy bun.Her leggings hug every inch of her long limbs as she strides the three blocks to the studio.
I donāt get out of the car.I donāt follow.I donāt interfere.I observe.Gather information.
Wednesday, she comes home later.Still in her work clothes, a bottle of wine in one hand, her bag in the other.Her heels donāt slow her down, even on the grooved pavement.She moves with a confidence I donāt recognize.
Thursday.I wait for hours.She doesnāt come home until after ten.Different clothes.Different pace.The kind of quiet shift that doesnāt need explanation.The Gild.I donāt need confirmation.I recognize it because itās like looking in a mirror.
I donāt go back the entire weekend.By Monday, I canāt stay away any longer.The decision comes without resistance.Not impulsive.Not careless.Just inevitable as I walk through the entrance to the Art Institute of Chicago.
I donāt go there looking for her.At least, thatās not how I frame it in my mind.I go because I know itās where she is, and I want to be in a space thatās hers.Itās a space that is different from anything I spend time in.
Itās quiet in a way that instead of feeling controlled, it feels respected.Light filtering in through tall windows softening the edges of everything it touches.People move slower here, their voices lower, like the art itself demands it.
I donāt rush as I explore.Thereās no reason to.When I reach the second floor, it feels familiar before I fully register why.Then color, texture, strokes of frozen movement that feels alive.Iām in the Impressionism gallery.Of course I gravitated here.My gaze settles on a painting Iāve seen before, though not like this.And not here.Not without her beside me.
āYou see how it moves?āHer voice, years ago, quiet but certain.Not asking, but showing me with a graceful sweep of her fingers.Iād been standing too close.Not to the painting.To her.
āIt doesnāt,ā Iād said, because at the time, I needed things to be defined and to have structure.Sheād smiled, just slightly, like she expected that answer.āKeep looking.ā