Page 15
Chapter 15 of "The King's Pawn" opens introducing the plot: One eyebrow lifts in a subtle reprimand. âI find that hard to believe.âMy face flushes.... Continue exploring!
One eyebrow lifts in a subtle reprimand. âI find that hard to believe.â
My face flushes. âWhy was I brought here?â
Sashaâs jaw tenses, just barely enough to notice, but Iâm close enough to him that I see every twitch on his face, every subtle expression he emotes before he can smother it under that cool exterior.
âYour father believes I can keep you safe. Thatâs why you have been brought to me.â His eyes drop to my hands that still faintly tremble.
I force myself to meet his gaze. âSafe from whom, exactly?â
From the moment the question leaves my lips, I know I wonât get an answer. Sasha doesnât move or blink. I doubt heâd ever be careless enough to let information that important slip even if there were a gun being held to his temple.
Instead, he asks quietly, âHow are your wounds?â
Itâs such a normal question, something a doctor or a friend might ask because they care. Coming from him, it gives me whiplash.
âFine,â I say.
His eyes flicker. Something unreadable passes through them. A shadow. A memory. A warning? I donât know what it is, only that it doesnât fit with the image of the man I know him to be.
âTell me why Iâm here. Why that bomb went off at my University.â
âYou should have been nowhere near that building,â he says quietly.
The sentence lands like a stone dropped into water, sending ripples of confusion refracting throughout every part of me. My brows knit before I can stop them.
Should have been nowhere near it?
The words echo in my head, loud, insistent, impossible to ignore.
Questions crash together all at once.
Why would he say that?Why would he care?Why warn me? Why help me?
Unless⌠he had been keeping tabs on me for far longer than I, or Papa, even realized.
The thought is absurd. Completely,absolutelyabsurd.
This man, this ruthless, violent, iron-spined Bratva monster doesnât care about politics or students or innocent lives caught in the crossfire of whatever deals he makes. He doesnât care about casualties, especially ones like me. The stories about him are the kind that parents use to scare their children into behaving. He is nothing more than a come-to-life boogeyman.
Sasha Sokolov doesnât care about people. He doesnât spare anyone who doesnât fit with his agenda any time to go through that kind of trouble. He destroys them as he sits fit, uses people until theyâre no longer useful, and then discards them accordingly.
And yet⌠he warned me.
He forced me out of the building and saved my life.
Why? To what end? To get me here? And if thatâs the case⌠why?
None of this makes any sense.
My pulse stumbles as I study him more closely under the warm glow of the dining room lights. Heâs not looking at me anymore. Instead, his attention is fixed on the glass of wine in front of him. He picks it up and swirls it, staring down into the liquid as if the answers he wonât give me are hiding somewhere inside the red hue.
He shouldnât care. Hedoesnâtcare.
Someone like Sasha Sokolov is incapable of softness or mercy or feeling anything beyond the cold calculus of power he wields. Heâs the kind of man who gives orders that bury people. The kind of man who commands rooms through silent demands alone. One who looks at the world as pieces on a board, each one meant to be sacrificed when necessary.
Caring about someone like meâthe daughter of a politicianâmakes absolutely no sense at all.
Iâm nothing to him.