Page 51
Chapter 51 of "Our Pretty Darling Psycho" begins revealing: First he prises something from her clenched, juddering handâa slim syringe, most of its contents... Continue the adventure!
First he prises something from her clenched, juddering handâa slim syringe, most of its contents goneâand his expression flickers as he reads the level of it. He says a clipped word to Doc and flicks the syringe across the gap, and Doc catches it one-handed, already reaching into the breast of his white coat to produce something small that he hurls straight back.
Silas snatches it from the air, thumbs it open, and tips whateverâs inside into his own mouth.
Then he seals his lips over hers.
I feel two things at once, with the graceless honesty of a man whose feelings have never learned manners. Relief, because some functioning corner of me understands this is fast-acting, that heâs feeding her something through the one route thatâll cross into her quickest, that this is a save and not a liberty.
A hot, irrational, utterly rabid spike of jealousy, because that is my Omegaâs mouth and I havenât so much as tasted it yet, havenât earned those lips, and some snarling caveman buried under all my cynicism objects violently to another man getting there first, even like this, even to drag her back from the edge of a grave.
Jealousy, in the middle of a medical emergency, is possibly the most embarrassing thing an Alpha can feel.
I feel it anyway. Iâve never been able to govern the wanting; itâs the one muscle in me that never learned discipline.
Silas keeps his mouth on hers, patient and unbroken, holding whatever he gave her in place long enough to takeâand slowly, slowly, the violent shaking eases.
The arch leaves her spine. The juddering gentles, then stutters, then stops, and her body goes limp in his arms.
He lifts his head. And sheâs still. So eerily, completely still that the relief curdles instantly back into terror, because limp and quiet is not the same as alive, and I know the difference better than any man should.
âSheâs arresting,â Silas saysâsomething about her heart, a word I half understand and wholly hateâand the growl comes roaring back up out of me, because theyâre laying her flat now, tearing the orange away from her chest, and strangers in white are descending with paddles and wires, and every protective instinct I own is screaming that theyâre hurting her.
It takes six guards to put me down. Six, and a knee in my back, and still Iâm half-rising, snarling, watching them hook my Omega up to a machine thatâs about to do violence to her on purpose.
The first shock jolts through her.
Her body leaps and falls back.
Still.
And there it is againâthe third panic, the one I was promised, arriving right on schedule.
The same clawing helplessness as a kitchen floor twenty years gone, the same unbearable knowledge that all my strength, every brutal useful thing these hands have ever done, is worthless against this. I cannot punch a stopped heart back into rhythm. I cannot threaten death into letting go.
For the second time in my life I am holding something precious while it leaves, and being too strong to help and too late to matter, and the helplessness is a kind of agony Iâd genuinely forgotten the flavor of.
The second jolt. The leap, the fall.
Still.
The whole cafeteria has stopped breathingâtwo hundred lunatics and a dozen guards and three obsessed men all holding the same held breathâand the third shock spikes through her, and this time she gasps.
A huge, ragged, drowning inhale, her chest heaving up off the floor, and she coughsâblood, bright and startlingâand her head lolls to the side, and sheâs breathing, sheâs gasping and hackingand groaning low and weak, and the sound of it is the single best thing these ears have heard since a kitchen long ago went quiet.
Silas is barking orders now, fast and surgical. Lucien answering in the same clipped key, and the room fills with professionals in white and a knot of handlers in jumpsuits and a gurney that swallows her small body and starts to move.
I donât care about any of it.
I care about exactly one thing: following where theyâre taking her.
The guards still pinning me clearly disagree, and weâre briefly relitigating that disagreement with my full bodyweight when Lucien turns his head and looks at meâreally looks, reading whateverâs written across my face and finding it legible enough.
âLet him go,â he says. âHe wonât be a problem if he can see her.â
Itâs the truest thing anyone has said about me in years. The hands ease off. I rise, shake them loose, and follow the gurney without another sound, because heâs rightâthe leash on me is her, and as long as sheâs in my sightline Iâm the calmest monster in the building.
They wheel her into a medical bay that smells of antiseptic and ozone, and before long sheâs a small still shape webbed in tubes and wires, a clear mask fogging and clearing over her mouth, her vitals scrolling green across a screen I canât read and canât stop staring at.
And thenâthere.